


DANGER then had to contend with another member change. They needed a new drummer and it took almost the entire summer to find one. But, in August 2007 they added Danny Crash. Again they found a member who proved to be a perfect fit for the band.

Dokken's formation began back in 1978 when Don Dokken was in a band named Airborn. In 1979 Don went to Germany to lay down some vocals on a new Scorpions album because their singer, Klaus Meine, was having vocal problems. However, Don's vocals were never used. But, while there, Don connected with the band manager of Accept. Accept was recording an album in another studio. Through their manager Don was given the opportunity of obtaining a record deal with Carrere Records. Don had tried to convince Xciter members George Lynch and Mick Brown to join forces with him in order to secure the deal, but they weren't interested. Don moved forward anyway and, with the help of one of Xciter's tunes, he clinched the deal. Soon after Don got the deal, George Lynch and Mick Brown were convinced to join with him. Juan Croucier was also then added to the lineup. The album, "Breaking the Chains", was initially released on this label in Germany under the band name Don Dokken (the name Airborn had to be abandoned after it was discovered there was already a signed band using that name).
In 1983, manager Cliff Bernstein noticed how much success Dokken was having in Germany. So, he signed them in the U.S. "Breaking the Chains" was then released in the U.S. under the band name Dokken. The band embarked on an arena tour as the supporting act for Blue Öyster Cult in the U.S. in 1983. Unfortunately, after the tour was over Dokken was almost dropped from their label because of lackluster sales. Although they were quite popular in Europe at that time, they hadn't been able to crack the American charts. It was also during 1983 that Juan Croucier left Dokken to join Ratt. He was replaced by Jeff Pilson.
Unbeknownst to anyone at the time, 1984 would turn out to be the year that Dokken would take the U.S. rock music scene by storm. The band's second album, "Tooth and Nail", was released on September 13th of that year. With the hit songs "Just Got Lucky", "Alone Again", and "Into The Fire", people began to sit up and take notice of Dokken. New fans were taken with Don's soaring vocals, George's searing guitars, and Jeff and Mick's tight rhythm section. The album proceeded to sell over one million copies in the United States alone, and peaked at number 49 on the charts. It sold about three million copies worldwide.
Dokken released their third album, "Under Lock and Key", on November 9th, 1985. It sold over a million copies in the U.S., as well. It featured the hit singles "In My Dreams", "The Hunter" and "It's Not Love". The band continued to tour, and opened for big name acts including AC/DC, Aerosmith, Judas Priest and Dio. During a tour with Judas Priest in 1986, a documentary called "Heavy Metal Parking Lot" was filmed and released. It featured fans in the parking lot before a concert by both bands.
Also in 1986, Dokken returned to the studio after touring with the Scorpions. They recorded the song "Dream Warriors" as part of the soundtrack for the movie, "A Nightmare On Elm Street 3: Dream Warriors". On February 10, 1987 the song was released as a single. It would be about another six months before the band entered the studio again to record their album, "Back for the Attack", which was then released on November 27, 1987. This release became Dokken's most successful album, climbing to number 13 on the U.S. charts, with the help of the singles "Burning Like a Flame", Kiss of Death", and "Heaven Sent". It also became their third platinum album. In addition, the remixed version of the single "Dream Warriors" from this album went to number 22 on the charts.
Dokken embarked on a tour in support of "Back for the Attack", including joining the Monsters of Rock tour during the summer of 1988. That tour also featured Metallica, Van Halen, Scorpions, and Kingdom Come.
While touring Japan, Dokken made recordings of their shows. Those recordings were used to create the live album, "Beast from the East", which was released on November 16, 1988. This album achieved Gold status in the United States, reaching number 33 on the charts.
Unfortunately, trouble was brewing within the band. Rumors persisted about Don's and George's animosity towards each other. Because of the continued creative and personal disputes between the two, Dokken called it quits after the successful 1988 Monsters of Rock tour.
George Lynch and Mick Brown went on to form the band Lynch Mob. They released two albums, "Wicked Sensation" (1990) and the self-titled "Lynch Mob" (1992), to critical acclaim.
Don Dokken recorded a solo album in 1990 entitled "Up from the Ashes". This album resulted in two singles.
Jeff Pilson became the frontman for the band War and Peace in 1993.
Also at that time, George Lynch released his first solo album, after the breakup of the Lynch Mob. This album, "Sacred Groove" saw George and Don reuniting to write the song "We Don't Own This World". Don was also supposed to supply the vocals for the song, but was unable to make it to the studio. So, Matthew and Gunnar Nelson filled in instead.
In 1993, Don and Mick Brown started talking about coming together to record an album, since Mick was no longer part of the Lynch Mob. Jeff Pilson also rejoined them and they started working on the new album. The recording was to be another solo album by Don entitled "Dysfunctional", which was produced by Don and recorded in his own studio. John Kalodner, A&R exec for Columbia Records at the time, wanted to sign Don in order to release the album, but he wanted George Lynch to be introduced back into the band so the album could be released as a new Dokken album instead of a solo record by Don. It was now 1994 and the group decided to send what they had written to George. He was impressed by what they had and decided to rejoin Dokken in 1995 to record and release the new album. After George rewrote and re-recorded the guitar solos on the album, it was released on Columbia Records. Although grunge had taken over by this time, and glam/sleaze bands were on the decline, the band's new album still sold more than 300,000 records due to Dokken's loyal fan following.

EP (Electric Pussycat): I want to thank you guys for doing this interview with me. OK, here are the questions.


EP: Finally, is there anything else that maybe we haven't covered that you'd like to tell fans and future fans?
The 80s band London now goes by the name of D'Priest, and this band's history is a long and winding road. The band had its start in 1978 when guitarist Lizzie Grey and bass player Nikki Sixx left a band called Sister (Sister also included Blackie Lawless) to start a new band called London. Their sound emulated the great 70s glam rock bands such as Sweet, Mott the Hoople and the New York Dolls. However, within a year's time the band went through three vocalists and Nikki decided to move on. He left London and forme
d Motley Crue. The song "Public Enemy #1" on Motley Crue's first album, Too Fast For Love, was actually co-written by Lizzie and Nikki while they were in London. Lizzie recruited Blackie Lawless to take over bass duties after Nikki's departure, but things didn't quite work out and the group disbanded soon thereafter.
In 1984, after playing in a couple other bands, Lizzie decided to revive London, but the band took on a different sound. The new London had more of a hard rock or metal sound to fit in with the changing music scene in Hollywood at the time. When the band decided to add a second guitarist, Slash was added to the lineup. However, he only stayed with the band for a few weeks and was replaced by Izzy Stradlin.
Nadir D'Priest was finally added as the band's vocalist in 1985, along with drummer Bobby Marks and bass player Brian West. Bobby soon left London to join Keel and was replaced by Fred Coury. More lineup changes occured when Izzy left to join his good friend Axl in their new band, Guns N' Roses.
London finally recorded their debut album Non-Stop Rock
art in the cult film The Decline of Western Civilization Part II: The Metal Years


ics I took at the show on our MySpace page. London/D'Priest is truly one of those bands that just didn't get the right breaks. They should have been much bigger than they were or are!